The Gresham’s Law of Social Couples Dancing Today

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Gresham’s law is an economic principle that is commonly stated as: “Bad money drives out good”. But this principle has much broader applicability. For example, to social couples dancing.

Human beings have a long history of dancing in some form, be it as individuals, couples, or groups. The first couples dance Wilddancer recognizes that is still being taught and done today in most western countries is the Mazurka, which started in the 1500’s. The first Waltz (the Volta) dates back to 1556, with many variations since then. The Ländler arrived in the Austrian countryside about 1690, then moved to Vienna and a variation became the Viennese Waltz. After these came (in historical order) the couples dances Bolero, Paso Doble, Polka, Merengue, Habanara and Milonga (now Tango), Foxtrot, Rumba, Samba, Lindy Hop (later called Jitterbug), Cha Cha, Mambo, East Coast Swing, Jive, West Coast Swing, Texas Two-Step, Hustle, and Nightclub Two Step.

People who have danced for many years will tell you that the Twist killed touch dancing. If so, the “Freestyle” that people have done for the last few decades (essentially waving your butt while shifting your feet a bit) has danced on its grave. Its two main virtues are that it does not take any training and it doesn’t take much space on a dance floor (assuming that the dancers are not too drunk). But it really isn’t a guy-gal couples dance, as one sees a lot of gal-gal couples (either the guys are in short supply or have two left feet). But the net result is that the unskilled dancers are monopolizing the dance floor and displacing the skilled ones, ergo Gresham’s Law of Social Couples Dancing.

Even worse, according to an essay entitled Dancing Properly by noted British philosopher Roger Scruton, Freestyle removes the sociability of the physical contact, and perpetuates the bad manners so rampant in current times.

Ballroom Dancing Is the Success Key for BeyondCore Founder and CEO

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There are lots of routes to success in Silicon Valley. Data Visualization Company founder and CEO Arijit Sengupta took one that might be considered highly unusual … unless you knew how extensive the social couples dancing offerings were at his alma mater. (In fact, a key reason that the Clintons’ daughter Chelsea chose Stanford University was because of its extensive dance offerings. And the dedication and major contributions of of Richard Powers have kept Stanford famous for its dancing.) But what is interesting about Arijit Sengupta is that he has woven dance-inspired ideas—e.g., a “floating floor” for his office or favorite songs for his smartphone’s ringtones—into his business life, as chronicled in Fast Company. His only regret: he doesn’t have enough time to dance anymore because his company is so successful that he is in great demand to lead it and to speak on behalf on the Big Data industry.

Creative Combination of Social and Competitive Dancing

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Whether you’re already an enthusiastic social dancer, or just interested in an up-close look (from front row table seats) at world-class ballroom dancing, you might want to take advantage of a thoughtful “guided tour” during the San Francisco Open DanceSport Championships April 11-13 at the Marriott Hotel near the San Francisco Airport. Senior champs James Kleinrath and Melody Singleton, who have recently taken over the Imperial Ballroom in Redwood City (where Dancing with the Stars standout Anna Trebunskaya trained former San Francisco Forty Niners star Jerry Rice), will be the tour guides. Top dancers in all four divisions will be dancing Waltz, Tango, Foxtrot, Viennese Waltz, Quickstep, Rumba, Cha Cha, Swing, Bolero, Jive, Paso Doble, Mambo, Samba and more. Because the worlds of social and competitive dancing have recently grown apart, and because competitors are now being groomed (mostly outside the United States) to compete from an early age, these two worlds rarely overlap. Wilddancer believes taking advantage of local opportunities for promotion is all too rare in both the ballroom and country-western dance worlds, so applaud the creativity of James and Melody …who are exceptions, having started as social dancers, and are imparting their skills to social dancers. And if the past is a guide, there will be some opportunity to do social dancing during breaks in the competition, with a nice large floor and great dance music. The $50 tour will start at 8 pm on Sunday, April 13, and there is an optional dinner nearby starting at 5:30 pm. Contact James Kleinrath, at 650-591-6757 or jameskleinrath@hotmail.com.

Senior Olympics Winner Trains by Dancing

One of the good things about getting older is that your preparation for athletic competition can be more fun. According to The Wall Street Journal the nearly-99-year-old Jim Kales skipped doing most of the track and field events he specialized in, opting instead to dance three to five nights a week (three hours each session), play tennis six days a week, and bowl occasionally. His dancing expertise includes swing, cha cha, salsa, rumba, bolero, tango, foxtrot, quickstep, waltz, and Texas two-step. This year he won two gold medals, three silver medals, and a bronze medal.

Good Tempos for Exercising, Dancing

Quoting Costas Karageorghis, deputy head of research at the School of Sport and Education at London’s Brunel University, the April 2, 2013 Wall Street Journal says workout music between 125 and 140 beats per minute is best to boost stamina and motivation. Of the 17 couples dances that Wilddancer covers today, for which the standards federations or experienced teachers give tempo ranges, 7 of them are in this range, 6 are slower, and 4 are faster. Given our focus, we’d say that all 17 are fine for motivation because they are fun. Officially slower ones such as the (slow) waltz and the bolero are more romantic than fitness-producing, but samba, hustle, and polka are energetic … at least as measured by the sweating and shortness of breath they produce. And the faster ones–quick step, Viennese waltz, salsa/mambo, and country two-step generally use songs of shorter duration (except many salsas are long … maybe a measure of macho for male dancers).